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As a Brazilian, I saw racism and poverty close up as a structural and social problem, however, coming from a white, middle-class family, I always held a privileged position.
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In May 2020, the murders of George Floyd, Breonna Taylor, and other black Americans in the US sparked a series of protests against racism around the world and influenced my work directly because I was composing this music at the same time. On a deeper and more universal level, I would like to dedicate this work to the fight against racism and poverty around the world.
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It strengthened the cooperation between everyone and opened up new ways for us to think about how to make large ensemble music where the barriers between composer, conductor, interpreter, and improviser can be liquid. Our orchestra experience seemed to create new hierarchies between the musicians, composer, conductor, and the written music, in general. By using this process, they experienced the feeling of playing in a small jazz band albeit with almost forty musicians… a concept that has been tried in the past by many musicians coming from classical, jazz, and other musical genres to different results. As Christopher Small points out in his book Musicking, the relationships and traditions in making music are a “matter of choices and there is nothing inevitable about the arrangements we make, it is not ordained by nature but is a social arrangement” (1998: 36).Īll pieces were initially composed and arranged by me, however, during the rehearsal process, the musicians had almost infinite freedom to change, erase, recompose, adapt, and improvise the music to fit their own musicality. That investigation led my artistic work to examine, explore, and question the hierarchy that is still very present and has historically been reproduced in large jazz ensembles. I investigated how one can establish communication between jazz and classical musicians by encouraging them to engage in more collaboration in the large ensemble context. This music is a result of the four years of doctoral artistic research I did at the University of Music and Performing Arts Graz. Viola: Gregor Fussenegger, Jakob Suchentrunk, Álvaro Larre, Andreas TrenkwalderĬello: Sigrid Narowetz, Kristijan Krajnčan, Katja Finsel, Urban Megusar, Eduardo Antiao Violin: Andreas Semlitch, Mikołaj Kostka, Kristina Wasik, Cozy Friedel, Daniel Allison, Anna Tropper, Albin Krieger, Pantea Moshfegh
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Šimun Matišić, Florian Pöttler - Percussion Gerald Preinfalk - Baritone Sax/Bass Clarinet Milosh Milojevic - Clarinet/Bass Clarinet Heinrich von Kalnein - Flute/Alto Flute/Alto Sax
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My favorites are "Same View, Different Meaning Part II" and "Echo Chambers”."Įmiliano Sampaio Jazz Symphonic Orchestra: "WE HAVE A DREAM"ĪLR 1105 | This music is a result of the four years of doctoral artistic research I did at the University of Music Graz. Same View Different Meaning is a promising album and prove to only be the beginning of an exciting adventure Karel and his quintet will enjoy. Karel is definitely one of these special player who offers here on this album a great group of musicians who really connect with one another. While the trombone used to be one of the most emblematic instruments in jazz, there are very few of us today who can defend the trombone as a leading instrument.
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"What a pleasure to hear Karel and his band on this new album Same View Different Meaning. "Same view, Different Meaning" is the second album of S.P.E which they recorded in August 2021 in Stockholm during their Sweden-tour.Īs the title suggests, the music on this CD is inspired by surrealism, and asks for an open ear from whoever listens to it. The group was formed in 2017 and has been performing in Austria, Sweden and Germany. Sound Pollution Eclectic (S.P.E) is an Austrian-based group led by trombonist Karel Eriksson and contains musicians from Germany, Brazil, Austria and Sweden. Sound Pollution Eclectic: "SAME VIEW, DIFFERENT MEANING"ĪLR 1107 | Sound Pollution Eclectic (S.P.E) is an Austrian-based group led by trombonist Karel Eriksson and contains musicians from Germany, Brazil, Austria and Sweden.